The kids like zombies and vampires. Why?

Zombies are the people of every day, up out of the grave and staggering around in all their droop-lip banality, threatening to infect them, to engulf them, to make them one of their own.  The zombie is the guy in the street, a cross-section, as it were, the people you pass every day and look down on. As Chekhov says, "There is nothing more vapid than a philistine petty bourgeois existence with its small change, provisions, vacuous conversations and useless conventional virtue."  The walking dead.

Both are diseases. If they break your skin you become one of them.

The kids fear the zombies—but they long to be vampires, to be artists, night people, exceptions, drinkers of blood.  H. L. Mencken: 
"The great artists of the world are never Puritans, and seldom even ordinarily respectable. No virtuous man—that is, virtuous in the Y.M.C.A. sense—has ever painted a picture worth looking at, or written a symphony worth hearing, or a book worth reading."

If there is romantic interest in a zombie, that means that he/she is overcoming his/her zombieness, his/her deadness. Zombies come out of death, until they rot and sink back into it. Vampires go into death, and live happily ever after. It's a class system.

March Weather

Contain me, contain me, I
Would be publishable, I
Would be small and inky, I
Would plant here the seeds of a
Mode of being and become
Great. Start with death, that, though we
Grunt under it, happiest
Of facts (what other faith but
Cloys with your self pity?), then
Redescend the tunnel of
Sensation, quivering with
Spasms. You cannot pick up
An image and be it, it's
Maddening. (Love me for this,
I am brave: death is not the
Annihilation of the
Personality: life is.)
Lightly across smouldering
Memories hasten barefoot
Toward unconditional
Absolution for all that
Does not concur with this your
Straightjacket, your own arms bound
Against remissive gestures.
Strain toward ignorance of
Self, for that is your only
Dignity. Say what in my
Civilized naivety
I could lately not have said:
The solution to problems
Is to ignore them. Do I
Pirouette? Shall I be held
Still? And to what project? To
The psychiatrist I will
Give no ground, I will hold what
May not be mine, nor guess at
Its nature: reality
No longer really interests
Me, frustration's final grace.
Everything can be taken
Two ways: Up. Down. (Two keys in
This score:) Only decisions.
There are no decisions. The
Mind not a thing but an act,
Though "act", you seeWell. Quicksand.
I exonerate myself.
I exonerate myself.
Reduce the impact on me,
I would enjoy. Nothing is
Stable. Sex, impersonal,
Unidentifiable,
And when it comes knocking you
Can't quarrel with the shape it
Takes. Hold what ground? You know too
Much, you can't afford a
Personality. The whole
Effort takes more tact than that.
Tiger of wrath. Criminal.
They'll put you in a cage. I
Am in a cage! OK, think.
I worry about being
A less fortunate. How could
I bear the envy? Isn't,
Though, that other happiness
Accessible to all? Not
To you. Spring may yet destroy
You, wake your impatience with
Melancholy, so wait. Tear
Up your notes. Joy outstrips all
Formulae, and will recur.
In each of these, your phases,
Unsupported, you follow?
Clean. And then there's the moodless
Mood, backstage, in control. One's
Feelings on the john taken
Against one's feelings in the
Shower. You are a blot of
Mustard, an undigested
Crumb of cheese, your intestine
Plays you like a saxaphone
Until you are reduced to
Believing in miracles.
Hang in. The trouble starts when
You stop trusting your charm. Run
The whole bluff, go ahead. You
Don't want to know who you are
(What an intolerable
Burden that would be), for to
Know nothing is ecstasy,
Though granted not sustaining.
A gentle and erotic
Life, to speak tenderly, at
One with your trajectory,
Although to live is to be mad  
You do see that. A madness
Without glamour, an unrest,
An incapability
Of exhaustion. Unclean. Let
Us not transcend life, let us
Look into its mirror and
Go fucking nuts. Let us take
Life on its terms, if such can
Be deduced, like a poem.
The beyond but mirrors life,
The wonder, the completion
(Come on, now, bring it on), for
Is goodness not moving? Can
You help but betray it? No,
Forget that. Your being has
More import than your art. I
Can't keep track of what I am
Or what I feel. I squander.
On the other hand, no steps
Need be taken. Are you with
Me? Don't try to grab your soul,
If you like. Your body too
Knows more than you. Truth hard to
Come by, overrated. A
Low tolerance for crap is
The most you have. Between these
Epistemological
Horns, the charging beast's forehead
Bouncing back your shells of Faith!
Innocence! Joy! I will kill
You if I catch you. Come here.
Don't you trust me? I cannot
Contain myself but I can
Contain the world, in a way.
I can't get it right. Let slide.
Pleasure and amusement, the
Only discipline left. How
I spent my time on Earth. This
Is the Arc de Triomphe. The
Future is not as closed as
It looks. You were not meant to
Be prophetic. Forget your
Body's decay, your dramas
Of digestion, your dreary
Hypnosis. Walk another
Line. Dare to be shallow. Spurn
Especially the traps of
Sentimentality, the
Forsaken's arguments, the
Entertainer's ingenious
Ways of injuring you. Is
Not the naked spectacle
Sufficiently heartbreaking?
Speak gently. All suffices.
Something to believe in would
Compromise the perfection
Of your faith. Cultivate the
Principle of minimal
Effort. You can't become real
Anyway, you've tried that. And
Thank you. Your hysterical
Attempt has persuaded me.
You will never contain me.


The Salesman of Certain Eases: A Rude Rhyme

The salesman of certain eases
Does pretty much as he pleases
With whatever chances he seizes,
And the frivolous rhyme words he teases.
But if his honey-babe so much as sneezes
He freezes,
Embraces her tightly and squeezes
Till she wheezes,
Protects her from insolent breezes,
Does searches on several diseases,
And counts up the gods he appeases,
Even Jesus.


Robert MacLean is an independent filmmaker. His The Light Touch is on Amazon PrimeTubi and Scanbox, and his 7-minute comedy is an out-loud laugh. He is also a novelist, a playwright, a blogger, a YouTuber, a film reviewer, a literary critic, and a stand-up comic poet. Born Toronto, PhD McGill, taught at Canadian universities, too cold, live Greece, Irish citizen. Committed to making movies that don't matter. No brains, but an intellectual snob.