In which the author complains of


Sincerity bores me.
To be sincere is to have one’s heart in the right place, than which few things are more annoying.
Show me a sincere person and I’ll show you a pain in the poopoo.
Honesty is the sincerest form of hostility. Whenever somebody wants to level with you, duck.
To quote Uncle Oscar, “The worst vice of the fanatic is his sincerity.”

The angry are sincere.
The drunk are sincere.
The young are sincere.
Please.
It soon leads to the sin of seriousness, for which one cannot do adequate penance.
The forces of seriousness are all around us. 
Romantics are serious. Try listening to Debussy. It’s like sitting in a piano bar without a drink.
As I prefer pleasure to pain, so I prefer Mozart to Beethoven.
Give me Bach and the Italians. Satie is sad, but not serious.

Society is a system of secrets. You see me as I really am, but you wouldn’t say so. It would hurt me. I see you as you really are, but I keep it to myself. You’d just tell me to go stick it up my star. 
Whenever someone offers to tell me "the truth" I cross my legs and look out the window.
Nobody knows what they’re talking about, anyway.

Have you the least idea how much I care about your dietary preferences? Were I to pick a little piece of poop out of my pucker and roll it up, it wouldn’t even come to that. 


Character bores me.
It’s like a job application.
Life refuses to be characterized, and so do I. Deep down I'm everybody else. I can identify with anyone but myself.
Reality is something I aspire to.
Of course I’ll never amount to anything. Money spoils the line in my pants.
I have charm, but no depth, and live on the quality of my errors.

To make money, you need brains. To spend money, you need culture. I have no brains whatsoever, but I'm crawling with culture.
Work is a spectator sport. I always step back and sit down while someone stands over me with a parasol.
The trouble with not having a job is that it denies me the pleasure of retiring.
I do have a PhD. The wizard couldn't give the scarecrow a brain, so he gave him a degree.

Café-sitter, slacker extraordinaire, flâneur without portfolio, boulevardierje-m'en-foutiste, intellectual dandy—sort of a happy Hamlet, evading responsibility with style.
Narcissist with undeniable charm, prick with a good haircut, a mere lad, and already effete—but more than just a pretty face.

Reluctant rake, underfinanced fop, voracious voluptuary, with splendid insouciance, spiced by panic and depravity.
Like all that's best in life I am quite useless, lounging on the daybed, eating grapes, putting in a call to Dial-A-Girl.

Of course like you I am governed by the tyranny of moods.
I wish that I wished that I were otherwise. If I could wish to be otherwise I might accomplish it.
Frankly, I forgive myself.


Women bore me.
Dumb and delicious, brilliant and elegant, you’re more trouble than you’re worth.
When I see you walking down the street I get interested, which itself is boring.
When I see a man walking down the street I search for statements of style, am invariably disappointed, and turn my thoughts elsewhere.
My libido is canine. Flexible. Not all that fussy. But a woman’s bare feet are always glance-worthy; a man’s bare feet, always inconvenient.
My prevailing perversion is a beautiful-woman fetish, for which my family disowns me.

Women are like food. When you’re young you eat anything. When you get older you choose.
It’s no use my trying to explain what excites me about you—your stretch marks, your sculpted adipose, your blue marble veins. Pointless. You won’t understand.
Women are guilt. Men are the unforgiven. Some of us like it that way.

Women are engaged in a bold new experiment to see how annoying they can be.
You rage around in pants, seeking for ways to take yourselves seriously, in maenadic ecstasy over your shared enthusiasms, which is the one virtue of a mob.
Soon, good-looking women will be illegalized because they offend the fat and the ugly. 

Women who still love one after all these years—I sigh, I admit that.
But you have no idea what you are in the eyes of men. Were you to ask, and we find the courage to tell you, you’d never believe it.

Robert MacLean is a bad poet and an independent filmmaker. His The Light Touch is on Amazon PrimeTubiScanbox, and YouTube, and his 7-minute comedy is an out-loud laugh. He is also a screamingly funny novelist, a playwright, a blogger, a YouTuber, a reviewer of films, a literary critic, and a stand-up comic poet. Born Toronto, PhD McGill, taught at Canadian universities, too cold, live Greece, Irish citizen. Committed to making movies that don't matter. No brains, but an intellectual snob.

Funeral Director Delmore Danruther, Drunk, Delivers a Eulogy:

The crematorium was on a hillside by the river, near the edge of town.  As we came up through the gates smoke was trailing from the stack and people were coming out from the last funeral.  I took a final opportunity to self-medicate, threw the bottle on the seat and felt for the exit.

We formed up by the hearse.  It was a nice day.  Dog hustled the McFatters' flowers into the hall and the rest of us slow-marched up the stairs behind the casket.  Inside, the attendant was clearing away the wreaths from the previous party.

I let the flock sort itself out as best it could, trod water in the direction of the pulpit and hauled myself up the steps.  It was high up there.  I hooked an arm over the lectern and hung helplessly while the movers set the casket on the runway.  They filed into a back pew, and waited.

The place was full.  The congregation shifted and grew silent under my limp-marionette stare.  Catholics, Pres­byterians, New Revelationists, barflies.  This would take some tact, and I was so snookered I'd have to make my mouth move with my hand.

I dragged myself up straight and swayed domineeringly.

"Friends!" I called.

"Mourners!

"Fellow mortals!

"Another of us—yes, another of us—has gone on.

"Our brother—

"Our brother—"

Fuck was the guy's name?

"—Hemhold!

"has departed.

"There he is.  There, but gone.  In the bloom of his youth, at the height of his probing curiosity (how we'll miss it!): gone."

We turned our heads and contemplated the crate.

I had begun.  If you are experienced in these matters you will know that holding forth in public is like peeing when somebody's watching you: it's hard to get going.  But, like peeing when somebody's watching you, it’s easy once you get started.

"We don't know where.  Or how.

"Whether through coercion, through falling in with bad companions!"

I glared at the blue-suiters.

Silence.  Sniffing.

"Whether because, fed up with grasping at the ineffable mystery of life—terms, after all, on which anyone might reasonably refuse to live—he finally ran screaming off into the only desert that, at that crucial moment, offered itself!

"Or whether he had simply made his quota for this trip and was called back to the office;

"We shall, perhaps, in this mortal state, never know."

I bowed my head.  The lectern slipped under my weight and almost pitched me into the pews.  I danced with it.

"But why?" I demanded, lunging with the momentum.  "Why?"  These things have a certain form.

"Why?  Why this final reduction to steaming mulch?  Why do we have to be ants on the sidewalk while Death stomps by in hard shoes?  Why do we get dumped on?

"Because this is you here, sweetheart! Try to face it!"


"AMEN!" cried the brothers and sisters.

I gave them a curt glance and seized back the initiative. 

"Why?  Tell me!  Do we spend our lives waiting around for next year's models to come out just to be another streak in the garbage chute?

"Why?  Is this supposed to be some kind of learning experience?  Are you learning anything?

"Why?  What are our feelings here today?  Are we sad he's gone?  Glad he's off the flytape?  Should we celebrate his release from the cosmic detention camp?  Rend our garments?  Shrug it off?

"Maybe—maybe he's just changing trains!  Maybe this is just another stop in the Total Transit System!  Maybe he'll have to go through all this again, re-learn the holds!

"Maybe he was in it for the anxiety!  Maybe we're all adventurers here and Scottie has just beamed another one of us up!

"Or maybe, how about this, maybe our profoundest intuition is true, and this really is a movie!  The camera behind the mirror, all your sordid little outtakes.

"I really feel that way, sometimesl

"Or do you prefer zeroism?  Are we mere spurious nothings after all?  Neurotic monkeys fingering our fur for nits of Neverland?  Certainly there are lesser consolations.

"I mean what do you know about this, really?  If in some later phase a being of another order asks you what life here was even like, what are you going to tell it?  Do you have idea one?

"You might I suppose enumerate some of the pros and cons.  Avocado vinaigrette, say, as opposed to being thrown on the mercy of whatever happens.  Almond paste, over against the horror-movie music that passes as avant-garde."

I was letting it all out.

"Because what else can you say? The head tells you it's all random, the heart tells you it's not and the generator is too busy to think about it.  We are caught between the ding and the dong of the dialectic, ambivalence the very law of life, for it is inherent in this system, in this particular system, that there is no system, inconsistency is a principle of the system, each new formula a liberation from the last, everybody’s got something to sell, and it's nice, oh, it's so nice when we find something we can stay with for a while—Nabokov, Letterman, Crest—but we move on, we move on, upping the ante with each success, with each defeat, it doesn't matter, put in on this number, stabilize here, but on we go, grabbing at an illumination that can only come when we have exhausted everything, though we never do, we know we never will, it's all there to keep us moving, keep us interested, distract us perhaps, from the crushing conviction that God in his Infinite Boredom broke himself into a trillion us just to have somebody to talk to!  But this too is a contortion, life is a series of contortions, pushing us into every possible position, having us every way it can think of, and even when we lie there, sated and sore, we are still sealed in, still have no clue what's next, our ignorance so seamless as to suggest a law in ambush, another law, the corollary to The Law, inscribed in stone over the exit sign: YOU DON'T KNOW SQUAT!"

I put my fist on my hip and held the lectern.

"REMEMBER that the next time you are TEMPTED towards an OPINION!"

There was no sound.  Even the brute looked worried.

I smiled.

"But the Deity mutters, Our servant is grown useless.  He no longer hurls himself upon the contradictions.

"And what, then, of God?"

I folded my hands and leaned on my elbows.

"What of the Creator?

"Of course we can form no adequate idea there, but we have to organize our twitching somehow!  Shall we call him a Father?

"You are perhaps one of those who insist that he is a Mother, and there have been many, but the current texts have it down as Father so, unless you are convinced that the woman's movement is going to alter the punchline of the cosmic joke, let's go with Father for the moment.

"Now, what do we know about fathers?

"Well, one, they know everything.  The world, themselves.  You.  They know infinitely more than you do, so don't even try.

"Two, they love you more than you love them, and are not above saying so.  Which can make you feel like poopoo.

"Three, they can do anything.

"Four, but they don't.  It's a big day if they show a little approval.  Of course they help you and everything, but only when they think you need it, which doesn't always coincide with your feelings on the thing.  Mainly they want you to fix it with Magic Marker and get on with it.

"Five, they'd better be there!  But they're not.  Especially when your car is being repossessed."

I admired my fingernails.

"So that's the name of that tune.

"Now: where does that leave you?"

I gripped the pulpit and glared around.

"What is left, when the props have been kicked away, of the perplexed and quivering wretch that is you?"

I chuckled and shook my head at myself.

"YOU CLOWN!" I screamed, leaping forward, the pulpit in a headlock.  "YOU OAF! You've never KNOWN anything in your LIFE, HAVE you?  Oh, you've known PAIN, sure, but any DONKEY knows PAIN, am I riqht?"

"AMEN!" said the brothers and sisters.  I gave them a this-is-absolutely-your-last-warning look.

"You should SEE yourself alone in the dark, SHIVERING before enigma. Your own EXISTENCE fills you with terror.  You don't know what you've done wrong to bring it upon you, but you figure as long as you know remorse now, maybe you won't have to WORRY!  In the long run it's probably safest to despise yourself.  Which is no problem anyway.

"In the morning you blink warily in the bathroom.  You feel your body for new lumps.  Will the shaving cream explode?  How are your teeth?

"Not until you have emerged into the mercy of daylight do you march around surveying the other destinies, yawning with a closed mouth through your dealings with them, saying, You are essentially unworthy, and you are essentially unworthy.

"By evening, you will be leaping about like a lord, consorting with tartlets, sucking Jack Daniels from a bottle with a nipple.

"It is a whoredom!

"Do you give one thought to restraintNo!  You want it oral, you want it anal, you want it genital and you want it now!

"YOU PIG!"  I came forward and shot my finger at them.  "And you want ME to FORGIVE you?"

The silence was tremulous.

I breathed angrily.

"Well, indulge, baby.  Lay your trail of waste through the world.  Belch as you rut!  SOONER OR LATER!  SOONER OR LATER, THE BOAT'S GONNA ROCK!  YOU'RE MY CUSTOMER, SOONER OR LATER!"

My eyes fell on Joe France.

"Of course, not YOU!  No, no," I sneered, "not YOU!  ADD IT UP YOURSELF, SWEETHEART!  One of these days, the BOX, the FLAMES.

A mafioso coughed discreetly.

I threw myself at him.  "DO NOT TRY TO SAVE YOURSELF!

"SUBMIT!"

I had dropped to my knees.  Righteously, I looked them over.  No one met my gaze.

I got to my feet and lay my forearms on the lectern.

"Now," I whispered.  "What are you going to do about it?

"Is there anything you can do about it?

"Is there?"

Sniffing.  Recrossing of legs.

"Well, yes, friends.  There is.

"You can TOTALLY REORGANIZE!

"You can get going on a COMPREHENSIVE PROGRAM of REGULAR DAILY IMPROVEMENT!  Start living your life according to TENABLE PRINCIPLES!

"RIGHT TODAY!

"Or, you can continue pacing the prison yard of your unregenerate self, it doesn't matter to me. All I can do is guide you, suffer with you.

"For some time now, I have been gone from your miserable midst, sojourning in the realm of the dead.  This will testify that I have not failed to come back down the mountain and help you with your life.  Serve out my stint in the slums of the spirit.

"But it won't be easy!  You can't just lift a smoking beaker to your lips and become somebody else!  You have to really want it!

"And YOU DON'T!"

I turned my face from the futility of it all.

"But, just in case you find the courage to change, here are a few do's and don'ts.

"First, don't get all depressed. No doubt you are convinced that your life is contaminated by a more than usual share of error.  Maybe it is.  You have sinned, I know that.  You are lost in darkness and solitude, afraid for you very soul.

"Watch television, or something.  If it means that much to you, you can always commit suicide.  Big deal.

"Yes, yes, we are sucked down the drain of physical disin­tegration.  So?  Don't just sit there and fret!  The young are out there, manically exchanging the new information!  The dog gets what he can!  I mean, this is like, you know, life!

"Remember, even when the last drip drop of despair has echoed in the emptiness, we can still get a fourth for bridge!

"And: don't worry about photographs of yourself.  You don't look like that.

"Second, don't be one of those jerks who won't get out of the taxi until Bolero's over. Nobody likes that.

"Third, try not to lick your chapped lips when you’re passing women in the street.  They get the wrong idea.  Well, not the wrong idea, but you know.

"Fourth, and apropos of this last, seize the shield of faith against sexual allurements.  And if that doesn't work, don't forget your little rubber suit, or you'll get into all kinds of trouble.  Including support payments.

"Girls!  Smarten up!  Cut that stuff out!"

I stared them down.

"Fifth, and here's the big one, don't not want.  There are many who would teach us not to want.  Wanting, they say, is the whole problem.

"Now: no.  These people are usually from the East, which is a mistake, anyway.  I mean you can't just sit there and go all googie!  And, as the employment of right reason should tell you, wanting not to want is wanting something!

"So go ahead.

"Now, what do we want?  That is the question over which we should fast and meditate.

    "Slave girls?

"Discipline?  You could become a vegetarian, eat a turnip.

"Love?"

Love.

I drifted away. My soul floated out over the faithful.

When I snapped to they were all looking up at me, waiting.

"It's the only thing," I murmured, "that can ease your ambivalence.  That, and—"

We looked at the casket.

"Well that's my interpretation, anyway, you can think what you want.

"Through God's will and grace,

"Ahmen. "

"Ahmen," they answered.

I reached under the banister and pressed the button.  The conveyor belt hummed to life and carried the coffin along like a canoe to the rapids.  As it passed under the flap the hall filled with the tolling of tape-recorded bells.

Beneath us the propane rumbled like the stomach of an all consuming power.  There would be no flames in the oven: the heat was so intense there wouldn't even be ashes, just bones that would be fed through the grinder.  Afterwards the clients would be presented with half a shoebox of fish tank gravel.  Easy to divide up, anyway.

I lowered my eyes, hands folded on the lectern.

Suddenly I was lying on the floor.  That didn't seem too strange.  I had wanted to maintain a dignified solemnity but what the hell, I'd done what I could.

But there was a pressure in the room that unscrambled as a loud sound!  An explosion!

I hauled myself up to the banister.  The flap fell in flaming tatters and fire crackled along the runway.  Hell was reaching out for the living!

I didn't really understand!

Then,  Oh, no.  The coffin!  It was supposed to be cork or chipboard!  It must have been fiberglass!  We should have unscrewed the cremation plug!  Who had time to check?

Oh, gee.  Nothing makes a bang like your airtight fiber­glass!  You do get them with pacemakers.  Hospital forgets to tell you the guy's wired, he blows the oven flat.  But this was bigger!

Not that there was any danger.  Unless maybe the flames should reach the gas reservoir.

I thought it through again, and turned to the congregation.  "Time to leave," I smiled.

They were already heaving at the door, screaming and swimming over one another, clawing each other down.  Smoke hung in strata.  The bells were out of control.

To set an example of calm in a crisis I lowered my way down from the pulpit and pedaled slowly towards the mob, smiling serenely at whoever looked around.  The woodwork was starting to steam.  They were draining like salt in an egg timer.

When I finally saw some daylight I launched myself forward with such force that I found myself on my hands and knees.  Which seemed to be working.  I decided to stay in that mode until I had time to rethink it.

There was no trouble until I got outside to the steps.  Then I lost it.  You may know this from your own experience but, if you're going to crawl downstairs, you have to remember always to crawl backwards.  Never forward.  Forward going up, backwards coming down.

I forgot.

Fortunately for my dignity however the propane tank went up just at that moment and I seemed to the onlookers—for people from the next funeral were standing around watching—not to be falling-down drunk but to be blown keel over crow’s nest by the blast.  Which, who knows.

They picked me up and felt my bones, made me wiggle my digits, stare at a moving finger.  When I could balance I wobbled over and stood on the grass with the flock—torn clothes, charred faces—and watched the roof burn.


Robert MacLean is a bad poet and an independent filmmaker. His The Light Touch is on Amazon Prime, Tubi, Scanbox and YouTube, and his 7-minute comedy is an out-loud laugh. He is also a screamingly funny novelist, a playwright, a blogger, a YouTuber, a reviewer of films, a literary critic, and a stand-up comic poet. Born Toronto, PhD McGill, taught at Canadian universities, too cold, lives Greece, Irish citizen. He is of towering intellect but, as is often the case with such people, not that bright. Here’s more on this splendid fellow.

Leonard, a Memoir

Leonard Cohen was my mentor, my encourager and one of my favorite heroes. 

I met him when I first came to Hydra, a rock island in the Aegean where, because it bakes in the sun without much relief from trees, summer seems even hotter than in the rest of Greece.

With others in the foreign community I hung out at Bill’s, a bar run by a public-school educated Englishman who, though he was a friend of Leonard’s, and though, as I later learned, Leonard had financed the enterprise (“I’ll go down to Bill’s Bar, / I can still make it that far”), didn’t care for his lugubrious music. Bill was a Django-Fred Astaire guy, and played Leonard Cohen tapes only when Leonard was around.

Like so many young writers, I gave Leonard something of mine to read. He accepted it graciously, and I supposed that was the end of it, but he came in a few days later and said, “I read your piece—which I fully intended to ignore—and got so involved that I couldn’t leave it to take a piss, and I really had to piss!”

What a charmer. The island opened its arms to me, I spent more and more time on it, and lived there for a few years. Eventually I ran out of money and moved into Athens to teach at the American College, but that’s another story. For me Hydra represents Paradise, not least because it was a sexual romp. Those were days before the new diseases, and the new Victorianism, and it was copulation on an Olympic scale. One did stretching exercises between encounters, and had (as the Americans say) “multiple” partners each day.

Ah, yes.
A no-car island
And of course, Leonard was the poet of the orgiastic. His achievement, in so much of his work, is to treat bare lust with wistful tenderness.

We took ourselves to someone’s bed,
And there we fell together.
Quick as dogs, and truly dead were we—
And free as running water…
The way it’s got to be, my lover.

Having so many ladies raises the problem how to say good-bye, his central theme. He remarks in The Favourite Game that John Donne’s poem of farewell, “A Valediction: Forbidding Mourning,” is the very essence of poetry. “Hey, that’s no way to say good-bye.” Leonard said a lot of them. For him it was a sin not to:

But I lingered on her thighs a fatal moment.
I kissed her lips as though I hungered still.
My falsity, it stung me like a hornet.
The poison sank and it paralyzed my will.

—“will” in the Elizabethan sense, as in “willy,” as in Will shaking his big spear.

And then leaning on your window sill
He'll say one day you caused his will
To weaken with your love and warmth and shelter.

One late night at Bill’s he told me the story of “What Does a Woman Want,” which I have tried to reproduce here as closely as possible in his style of phrasing.

I went to see him when he was preparing to leave the island in his costume of choice at the time, dark gray suit, T-shirt and black cowboy boots. The suit had suffered some stains and he was touching it up with Magic Marker. “They’ll never get me,” he said, giving me his wicked smile.
Marianne bathing on The Rock
Shall I tell you what he was? He was gorgeous. (See Gorgeousness.) Not that he thought so. One of his poems speaks of hours in the mirror. “You hide your double chin, even from yourself.” At his tryst with Janis Joplin,

You told me again you preferred handsome men
but for me you would make an exception.
And clenching your fist for the ones like us
who are oppressed by the figures of beauty,
you fixed yourself, you said, "Well never mind,
we are ugly but we have the music."

But he was an undaunted man of action. That’s one reason he admired Hemingway:

The judges said you missed it by a fraction.
Rise up and brace yourself for the attack.
The dreamers ride against the men of action.
Oh, see the men of action falling back.

I love Hemingway too (see Hemingway for Wimps), and Leonard, and action, but my own models were dreamers like Fellini (see Fellini), Robbe-Grillet and Bunuel, not to mention Shakespeare, in whose sea we all swim—adapted, of course, to my musical-comedy mind. I'm too impressionable to have any state of mind for more than a few minutes, but that's my default setting.

Leonard constantly assured me I was going to “hit” (I’m still waiting, Leonard), and I wish I could claim him as an influence. But we were playing different games, and he didn’t altogether approve of mine, which involved frivolity and laughter and je-m'en-foutisme. Though he could be extremely funny himself, in person and in print (Beautiful Losers is a great comic novel), he had a grain of seriousness in him that looked askance at the purely comic.

Whence the seriousness? For one thing this Orthodox Jewish boy had fallen in love with the Catholicism of his beloved Montreal, all those plastic virgins on taxi dashboards. Rue Sainte-Catherine is the main east-west street there, and Beautiful Losers is about the Indian saint we suppose it's named after, Kateri Tekakwitha, and the Jesuits. “Homage to the Jesuits” he says, and their “thirst for souls.”

This was Leonard’s thirst too. World domination was his passion. He wanted all the women, all the fans. He idolized Jesus for that reason, and he idolized Hitler. Oh, yeah. His early book of poems, Flowers for Hitler, goes some way to humanize the Führer. And when the lovers in Beautiful Losers go to Rio, they find him in their beach hotel working as a waiter.

(Which reminds me, his favorite actor was Dirk Bogarde. One thinks of The Night Porter.)

“I was born with the gift of a golden voice.” He’s not talking about his voice voice, though well he might—it’s a superb instrument. He’s talking about his power as a poet. “My voice,” he says in one of his poems, “is in you like a hook.”

A mutual friend met him walking down Fifth Avenue just after the Wall came down, and said, “Isn’t it great?” “Of course it is! My song did it!” He took Berlin.

On the island, though, he was sweet, modest, polite. Good manners were his style.
Donkeyshit Lane, coming down from Leonard's place: "Our steps will always rhyme."
The second source of his seriousness was his scholarly, almost his rabbinical Jewishness. For a brief time he was an Israeli soldier, and saw action. He shocked me, and I let him know it, when he spoke in favor of vengeful bloodletting in Lebanon. Never fond of Islam, he yet had a grudging respect for the Muslim habit of covering their women. “They know that’s all we think about.”

In a late poem he speaks to himself (he’s always speaking to himself) of an insect on his table: “It pleased you not to want to kill it.” The “pleased you” is self-mocking; the usual thing is to crush the little fuckers. But then we hear God talking: You are the insect, “so busy in the light of my eyes,” and the “pleased you” resounds as a prayer—May it please you, my Lord—to himself.

He has a wonderful way of pivoting on a word like that:

Thanks for the trouble you took
From her eyes.

His album title, Various Positions (I saw it for the first time in a Tel Aviv shop window) made me laugh out loud.

The third source of his seriousness was depression, which plagued him all his life, for which he was on prescription drugs, and which was the source of some of his best work. “Even damnation is poisoned with rainbows.” He could get way down.
With Suzanne, not the one in the song, but the mother of his children. L suspected she had family in the Jewish mafia, which tickled him.
When I showed him Mortal Coil, he didn’t entirely approve of a book that made fun of death and the dead. “I understand the position,” he allowed—but then came up with a line from near the end of the book (he always read them through, bless him) that amused him: “Don’t worry about photographs of yourself. You don’t look like that.” This matched his taste for directness and simplicity.

He told me once that the ten commandments as they’re written in Deuteronomy have nothing of the formal Thou-shalt-not about them, but are simple colloquial speech: Don’t do that. This is how you reach people, with simple language and simple experiences—sex, God, doing the dishes. Leonard used his intellectual gifts to be pop culture. Beautiful Losers is a submission to pop culture as a spiritual discipline, Ray Charles running his fingers down a cosmic keyboard at the climax.

Leonard wanted to reach everybody. He wanted, as who does not, to be God—and was determined to make good on it. What state of mind is a man in who names his son Adam?

(When his kids came to visit, he was helpless with them. He gave Adam, who was then a scrappy twelve-year-old, Mortal Coil, presumably to keep him occupied. “I like the ‘jokers,’” Adam told me—the name my undertaker calls the corpses. Lorca, two years younger, threw tantrums and threatened to kill herself—not because of my book. Leonard approached her with desperate caution: “Hi, darling!”)

He consulted a fortune-teller once, a palmist, who told him he was going to lose all his money. Here Leonard did influence me: he went into detail about the experience—inking the palms, recording the experience—that I used in The President’s Palm Reader. Decades later Leonard did lose all his money; his assistant in LA cleaned out his bank account and absconded—who knows where she is now?—forcing him to go on tour again. “It would be funny,” he said, “if it happened to somebody else.”

The palmist told him, “You will always be moving between the monastery and the brothel,” and yes, from beginning to end, that was Leonard. In The Favourite Game his teenage alter ego, on discovering sex, looks down from Westmount at the morning city and wonders why anybody’s going to work.
My street
He declares, in a poem of later years, but in prose, that the image of a naked woman appears to the average middle-aged man every fifteen seconds. “Where did you get that?” I said. “From Masters and Johnson.” Nietzsche, the Bible, Masters and Johnson—and much more, of course, but these were on his mind.

And he was the hero of the sexual impulse right down to the end: “I was just a tourist in your bed, looking at the view.” What are we going to do without him to defend us against the new puritanism?

We stayed in touch via the posts and film reviews I email to my list of people.

Blog is great.
Just wanted to join the applause.

About Woman in Gold and Helen Mirren’s Body:

Great work, bro
The whole 9 yards
L

Last I heard from him, he said (in verse form, naturally):

the old vehicle has sprung a few leaks
in and out of the shop these days
not much use on the road

That was June last year. I checked in a few weeks ago and didn’t get an answer. Now I know why.

He won some prizes. The Governor General’s Award he didn’t accept. To my private relief he wasn’t offered the Nobel for Literature, which is a guarantee of mediocrity—and something of a consolation prize. Faulkner won because he just wasn’t Joyce. (The poor judges, what would they have done if they’d had to read Joyce? Faulkner they had in translation, but how do you translate Joyce?) Beckett won because he just wasn’t Kafka. And Dylan won because he just isn’t Leonard.

His best friend on Hydra was George L, who looked like the president of the world. First time I met him I said, “So, George, what do you do?” He said, “Well, Bob, I don’t do anything.” Hah! I loved him. I wrote a roman-à-clef about him, and about the island (here it is), in which he’s murdered. Somebody came across him reading it in a café. He said, “I’m trying to find out how I die.” Now he knows—he’s gone too. His daughter’s an actress, though, and I made a movie with her.

Let me finish with a long-ago poem I wrote about Leonard:

Here is my plaster statue
Of Leonard Conen,
Best thing groanin.
His spirit is off
Being true to itself
Or possibly trying to renew itself
While here in the silence
I bow my head in homage
To what I have briefly become
To see if I could use,
And muse.

Monkish whorer
I loved your contradictions.
So purely you burn
For fifteen-old girls
(How can I live in the world with your exploits?),
So neatly fold yourself
Into your disciplines.
Everything is a discipline,
It's tiresome
And I don't care for purity.

Doubting psalmist,
Failed saint,
Rabbinical Jesuit
Hearing your own confession
(There can little interfere
Between your mouth and your ear),
Behind each a clinical depression.
Fearer and trembler,
Comforter of puberty,
The bride still unravished,
The song less new.

Hitler groupie
(Who else believed you?),
Israeli warrior,
Meditator,
Partisan hater,
Priest of pop liturgy
Praying for power and
The Arab veil,
The preferred fate for your sister.
Chemistry-set tradition-monger,
Star without capped teeth.
Interesting, if fetal.

Aspirant slave
Who would bribe exaltation,
The soul's, the body's,
With prostration—
It falls off me.

I prefer not to grovel
Unless at gunpoint
Or its equivalent.
No doubt I'll learn.

Retreat meanwhile
To an uncandled niche
In the cathedral,
Bleed in the dark
Like my mother,
Quietly reproach my arrogance
When some whim
Brings me in
From the glaring street
For cool incensed air
And a friendly ceiling,
A ten-minute tourist of your pain.

Leonard's response to the poem was to lend me money. Which I never repaid. I hope he’s someplace where he doesn’t need it.


Robert MacLean is an independent filmmaker. His The Light Touch is on Amazon PrimeTubi and Scanbox, and his 7-minute comedy is an out-loud laugh. He is also a novelist, a playwright, a blogger, a YouTuber, a film reviewer, a literary critic, and a stand-up comic poet. Born Toronto, PhD McGill, taught at Canadian universities, too cold, live Greece, Irish citizen. Committed to making movies that don't matter. No brains, but an intellectual snob.


There is no happiness that is not idleness and only what is useless is pleasurable.”—Anton Chekhov

In Bed with the Girls

The Light Touch on Amazon Prime

The Natural Wish to Be Robert MacLean