Nifty quotes from The Cad

He-who-is-tired-of-fooling-around-in-Mediterranean-countries-is-tired-of-life sort of thing.

"Would you say Dee was beautiful?"  "I would if I were you."

"If you’re not making a fool of yourself," I said, "you’re not alive." I was on surer ground here. Speaking from experience.

"Chinese-wise I’m a pig," I admitted. She was something of an oinker herself.

I felt a kind of responsibility for it but it was the kind of responsibility God feels. Sympathetic but so what.

"There’s something noble about you. You make promises in the dark and it never occurs to you that they’re meaningless. You’ll walk away without a backward thought."  "Noble," I said, "It means stupid, I looked it up."

Marriage qua marriage was out, of course, I could see that now. Sex, money and the law in one cocktail, I mean that’s crazy.

"There’s a difference between being charming and being respectable—that’s what scares me about you."

Some women like you with a little stubble but she has you scraping your face every day and incurring ingrown hairs so you won’t burn her inner thighs when you’re paying the rent.

Her look said I’d tricked her into trapping me. "I think naivety is a form of cynicism, don’t you?"  "Men are such fools," I agreed.  "Oh, don’t be such a B-movie chimpanzee. You haven’t got the brains to be glib."

Now, don’t worry. It happens. Relax. Don’t boss your body around, it’s got its own timetable. Lay off.

"He sleeps nude! Guy’s a priest! He sleeps nude!"

Would you let me hurt you if I promise not to get carried away, watch out for that one. So the kid is screaming for the police, the neighbors, anybody...

Do I have to go through life weighed down by a character?

"What’s frightening about women?"  "I don’t know, I don’t understand them. Even when you’re intimate with them they come out of the bathroom wearing towels. They worry about how food looks. They iron underwear."

You have seen certain movies, you regard tenderness as the final fact. Is this just the reflection of your self-pity?

"Just think about something for a minute." Which when I had it translated meant shut up.

I simply couldn’t allow anybody that good-looking to suffer.

Yes but are you in love? Do you have the equipment to measure depth, is what I think I’m saying. Or does it depend what kind of music is playing in the taxi?

It doesn’t seem to matter what kind of fool you make of yourself, when they love you they love you.

I’m a guy, feels an opinion coming on, bangs his head on the wall till it goes away.

"You don’t think much of me, do you."  "I don’t think much at all," I said. "It wears me out."

Sleep is me, sort of thing.  I get my teeth cleaned, I want a total anesthetic.

"Great sermon, man, I told him. I think I’ll get drunk and fuck somebody."

It was dark. Life was bad. Not uniformly bad. Even in the abyss you make distinctions. But bad.

I took a bottle of gin out and drank off a few capfuls. You want to relax before a flight? Gin.

"Maybe there’s just—nothing. Darkness and—nothing." He edged out and peered over his knees. Kind of belief system you pick up in a cold climate.

"A whole life here and I never did find out how to do anything."

Meanwhile I was just going to lie there and be passive. Try to be a little more economical with my energy. When it’s a matter of faith or works I rely on the former.

It doesn’t really matter what actually happened, if they think they’ve had a good time it’s the same thing. Reality escapes us just as we escape it sort of thing. I pretty well deal in illusion.


Robert MacLean is a bad poet and an independent filmmaker. His The Light Touch is on Amazon PrimeTubiScanbox, and YouTube, and his 7-minute comedy is an out-loud laugh. He is also a screamingly funny novelist, a playwright, a blogger, a YouTuber, a reviewer of films, a literary critic, and a stand-up comic poet. Born Toronto, PhD McGill, taught at Canadian universities, too cold, live Greece, Irish citizen. Committed to making movies that don't matter. No brains, but an intellectual snob.

Kiss of Death

Reg’d © Library of Congress
A romantic thriller and a black comedy about a mother's sin, a boy with a fatal kiss, and the women who need it.
A boy whose kiss kills doesn't dare have sex—until he starts sleeping with terminal patients who need a way out. But he can't have the woman he loves.

In English for the world market.  Set in Athens
—it begins on Hydra:
When Otto brings his mistress Anita to an island she betrays him in the woods with a mule-driver, while Otto climbs toward a monastery and dies of a heart attack.
After dark she finds the body, and he comes briefly back to life and forces her to have sex—or was it a dream?  "Oh, Otto, I hope you didn’t make me pregnant!  What would come out?"

(Click on a name for a résumé, and on a picture for a show reel:)

Albert de Jongh (Felix)
What comes out is Felix.  When he kisses someone, she dies.   That's how it happens when he's a kid.  The islanders think he has the evil eye, and run them out.
At high school in Athens he doesn't dare kiss Dorothy, the girl he's in love with, which is not something she can accept or understand.

Fiona Georgiadi (Dorothy)
His mother Anita can't understand or accept it either, and urges him to get a girl.  So he gets a girl—and she dies in his arms.

Mule driver Manolis seduces Anita, or she seduces him, and he assumes that Felix is his son. What else could he be? He doesn’t know why Felix should have the evil eye, but he believes it.

Michalis Anthis (Manolis)
Felix is a bright student at the American College, and a successful young financial adviser, but without Dorothy, without any love life, he's suicidal. And temptation is all around him. 

Petroula Christou (Elie)
Elie, a receptionist at the brokerage where Felix works, is determined to seduce him and, oh, is she hard to resist!

Then he meets a terminal patient who wants out—and helps her out—and has his first sex with another human being.

Themis Bazaka
Now he has found his niche: financial advisor by day, mercy seducer by night:

Sophie Papadopoulos

Rea Karayanidou
His psychiatrist doesn't believe it, and puts it to the test: Pepi Moschovakou
Even his high school teacher needs out: Eleni Tsefala
And the police are taking an interest, but what can they prove? 

Tom Alexopoulos (Inspector Liatis)
Only with Bald Woman does Felix decline to follow through.

Louiza Zouzias (Bald Woman)
Motorcycle tough, she has made her chemo baldness part of her butch style, and falls for Felix.  He evades her because she’s too full of life to kill, but in pursuit of the kiss of death she finds him and wreaks havoc on his day job—not to say on his chaste relationship with Dorothy.  Like Tristan and Isolde, they sleep with a sword between them.
His mother Anita watches in pain while he lives out Otto's curse, agonizes over the career of dangerous judgements he's embarked on, and does what she can to interfere.
When she sees how in love and how frustrated he and Dorothy are, she knows she has to do something.

Duncan Skinner (Otto)
Felix’s father, like Hamlet’s, tries to make his son a sword of vengeance. He can’t have sex without inflicting death, and Otto sees to it that Anita will pay that price.

Pretentious Pictures presents a romantic thriller. 
Reg’d © Library of Congress

Pretentious Pictures Presents:

ME AND MY DAEMON
A London Gangster Thriller
with a Metaphysical Touch

Up here without a chute?  Having a bad day?
When the guy in the mirror starts talking back, you know you're in trouble.

Mase's reflection assumes a life of its own and bosses him around.  That's his daemon acting up.  Your "daemon" is your guardian spirit, your better self—you, and not you.  Mase didn't know he had a daemon—
he was bluffing Dabney's New Age grandmother so he could get closer to Dabney.  Dabney's a girl he fell in love with on the plane.

Proposed: Daisy Edgar-Jones (Dabney)
An awkward seat arrangement and a bump caused them to kiss accidentally and she tried to have him arrested.

Then in customs he put her bag on his cart as if they were "together" and the officers found a strap-on dildo in his for smuggling ecstasy.  They didn't even touch it.

Proposed: Nick Frost (Fat Guy)
Fat Guy (that's his name) was on the plane with them and now follows them as they exit arrivals—a narc, no questionso since Dabney and Mase are "together" they have to take the same cab, and in front of her place her mother Lois tries to flirt with him.

Proposed: Silvana Maimone
Lois brings him inside where he meets Dabney's grandmother Sally.  Sally is refined, more like Dabney, but she's hooked on mysticism

Proposed: Brenda Blethyn (Sally)
and Mase, to get rid of Lois, flirts with her.  His daemon tells him things, he says, just stringing her along, but she buys it.

She takes him to a casino and, guided by his tips, wins so muchhe's as shocked as she isthat she has a heart attack and dies; which upsets his boss the casino-owner, to say nothing of Dabney.

Proposed: Tim Roth ("Boss" Bart Blakeney)
Bart's sadistic temper is aggravated by hemorrhoids that keep him screaming and glued to the toilet, and make him hard for his thugs to talk to, let alone Mase.  When Lois comes to pick up her mother's winnings she "falls in love" with Bart (she likes falling in love), and he can't think of enough mean things to do to her.
Now Mase's actual daemon does appear and starts talking to him from the mirror—from every reflective surface he passes, following him around nagging him, arguing with him, warning him—and yes, things get worse.

Bart’s thugs are after him, and when Fat Guy dies chasing him, though Mase does his best to save him, the cops get interested.  And Mase’s X-rays—his doctor doesn't know how to tell him.  All he needs now is a falling lift, and that happens too.

Then Dabney is kidnapped.

And Mase is thrown out of a plane without a chute.
How's he going to get out of this?
Pretentious pictures presents
ME AND MY DAEMON
A London Gangster Thriller
with a Metaphysical Touch