Toby Runs Away

Deeply hungover, Toby recalls the scene of the crime.

I knew I wasn’t in Paris because there was no ashtray on the toilet-roll fixture. The problem did not hold my attention.

Not until I was full-length in the tub, only my nose protruding above the surface of the water, did I feel I could turn my thoughts to the events of the previous night. There in the darkness, the water flotation-chamber temperature, my inner organs acquired a little buoyancy and I drifted free of my rack of pain.

The evening swam before me like a past life. A lost time. A time when I was still relatively young and carefree, and danced at every disco in town. (What town?)

Discos? you ask. Cheap shallow vapid narcissistic discos? You bet.

At least you might have bet on it the night before when, through some obscure access of energy, I had had boogie in my socks, and that’s no lie. The morning after, I was incapable of giving odds. My eardrums were so puffy they seemed to be touching at mid-skull.

A series of interiors came back to me dominated by glass globes, whirling lights and music so loud and pounding it was like being under water. Marcie had been busy for dinner and I was touring the clubs.

Unshouted conversation had been impossible but what with the crush on the floor, squeezing through the crowd to the bar and transcending self in the old heel-and-toe, I had made some promising acquaintances. As they progressed we became a party on a pilgrimage to ever livelier arenas, ever glitterier surroundings, ever greater abandon, until we had danced and drunk ourselves boneless and repaired to a supper club where we pushed several tables together up close to the floor show and made too much noise. I recall insisting on three glasses of wine, one for my mouth and one for each ear.

But subtler moments too wove themselves into the evening. At a table next to ours sat a woman with an interesting bearing, a tilted-up chin and a playful curiosity about her expression. She seemed to want to smile and, as women sometimes do, picked me to smile at.

I smiled back and arched an eyebrow to boot. We held on it for a second and then she turned to her escort and I to the flirtations I had come in with.

For the next while or so we exchanged surreptitious glances, each looking away when the other looked over, you know how the thing goes, until we had developed a sense of intimacy and, I felt anyway, the basis for something solid and lasting.

So much was this my feeling that, when I caught her again as she was turning away I paused and took a long look at the lady. It was a bold thing to do, perhaps bordering on the impolite, but as I say, I felt something important was taking shape.

Her arms were long and slender, and the way she leaned on her elbows and cradled her glass in her fingers spoke to me of how those fingers would feel on the skin. She wore a black dress that, in the current style, left one shoulder bare. And a shapely shoulder it was, lean and white and hitched to a delicate collarbone.

But there was a flaw in the picture. Perched on her covered shoulder, unnoticed either by her or the man at her other side was an insect, a little green thing the size of a thumbnail, common enough on summer evenings, especially in places like this that open onto gardens and terraces.

I saw my chance to break the ice. Leaning towards her, forefingertip braced against thumb pad, I said, “Excuse me” and flicked the little beast away.

But I was mistaken. It wasn’t, as I had supposed, a real little beast, but an imitation little beast, the clip, in fact, that had fastened her dress at the shoulder. In its absence, the bodice fell in folds at her waist, exposing her exciters to public view. It was her turn to arch an eyebrow.

This changed things. The music trailed off as the band got interested. The clamor at my own table died. The room grew quiet. I had unveiled a lady whose grace would permit no frantic clutching of cloth to bosom. She remained motionless, chin elevated, conscious that all eyes were upon her.

I had now to endure the sight of the man at her elbow rising, it seemed interminably, from his chair, for he was grotesquely huge, and coming around the table to ask me, I supposed, just what the heck I thought I was doing. He was in good shape. Probably excelled in racquet sports or whatever these people do. Jogged or something.

Naturally, I rose to confer with him. I appreciated that we were the center of attention and was ready to go into a diplomatic huddle and sort this thing out with as much tact as could be managed.

But no. When he came within whispering distance he took hold of my lapels and drew me up to his considerable height. My feet left the floor. I hung hunched by my straining jacket, staring between his fists into determined eyes.

Clearly, I reflected, some species of prevocal dunderhead. No use making a point of it. But then he chewed up a few phrases in Greek.

Aha! There it was! I was in Athens! We had stopped over on our way to Crete so Marcie could get together with her father-in-law, who happened to be in the neighborhood, and hammer out the terms of her allowance! That was it!

Anyway, while I was swinging from this man’s enormous clutches and bracing myself to land backwards, the sound of violent coughing came to me, and then long groaning inhalations.

I inclined my head and strained to see past my lapels a man a few tables away throw himself to his knees and, holding his throat in his hands, attempt desperately to expel something lodged in it. He was heavyset and semielderly, with blond hair going to white, and these factors emphasized the rapidly deepening red of his complexion.

It was explained to my attacker, and eventually to me, that the man on the floor had swallowed the bauble from which I had meant to rescue my new friend. Or almost swallowed. When his mind had been elsewhere, no doubt on the young woman bending anxiously over him—and a distracting girl she was, there was time to notice—the clip had plopped into his plate of potage and he had taken it for a morsel of leek and slurped it up.

I landed lightly on my feet, brushing in vain at my lapels, which were molded into handlegrips. The big man’s interest in me relaxed and he turned and went to help the one who was convulsed on the floor. The object of our affections covered her breasts with her arms, not a strategy that greatly reduced the general interest in them. We arched eyebrows at one another.

Her protector moved the distracting young woman gently aside. He knelt by her now blue-faced companion, took him by one shoulder and shook him as unceremoniously as if he were a vending machine that had cheated him of change.

The old guy got bluer. Saliva hung in strings from his helpless lips. His eyes protruded.

People crowded around. The giant exchanged remarks with some of them. It seemed that the clip was an emerald scarab worth something in the four-zero range.

On receipt of this intelligence I ran and knelt at the old boy’s side and pounded his back until his chest resounded. I poked him in the stomach to make him spit it out. I suggested turning him upside down. The big one held his jaws open while I dug around in his throat with my fingers.

Suddenly the old guy put out his arms like a referee sending us to our corners. He breathed. He sagged gratefully and breathed. He hung back his head and breathed. He began to look less like a grape and more like a strawberry.

The crowd sighed with relief. “He swallowed it,” someone said.

Of course, from the humanitarian point of view, one had to approve. I wouldn’t have wished to shorten the old citizen’s stay on the planet, though it seemed to me his reservation was about up anyway. But considering the value of the jewel I could have wished he’d coughed it up instead of down. In fact I did wish he’d coughed it up instead of down. A glance at the gorilla told me he felt the same way.

Faces in the crowd looked back at mine with quiet sympathy. The lady hugging herself watched me sadly, even fondly, as women are said to regard condemned men.

The monster stood up. I, for what it was worth, stood up. He looked at me. I looked at him. I saw that, under the circumstances, there was only one thing to do. I ran away.

Toby Books:

Robert MacLean is a bad poet and an independent filmmaker. His The Light Touch is on Amazon Prime, Tubi, Scanbox and YouTube, and his 7-minute comedy is an out-loud laugh. He is also a screamingly funny novelist, a playwright, a blogger, a YouTuber, a reviewer of films, a literary critic, and a stand-up comic poet. Born Toronto, PhD McGill, taught at Canadian universities, too cold, lives Greece, Irish citizen. He is of towering intellect but, as is often the case with such people, not that bright. 


W. H. Auden, ATLANTIS

Being set on the idea
Of getting to Atlantis,
You have discovered of course
Only the Ship of Fools is
Making the voyage this year,
As gales of abnormal force
Are predicted, and that you
Must therefore be ready to
Behave absurdly enough
To pass for one of The Boys,
At least appearing to love
Hard liquor, horseplay and noise.

Should storms, as may well happen,
Drive you to anchor a week
In some old harbour-city
Of Ionia, then speak
With her witty sholars, men
Who have proved there cannot be
Such a place as Atlantis:
Learn their logic, but notice
How its subtlety betrays
Their enormous simple grief;
Thus they shall teach you the ways
To doubt that you may believe.

If, later, you run aground
Among the headlands of Thrace,
Where with torches all night long
A naked barbaric race
Leaps frenziedly to the sound
Of conch and dissonant gong:
On that stony savage shore
Strip off your clothes and dance, for
Unless you are capable
Of forgetting completely
About Atlantis, you will
Never finish your journey.

Again, should you come to gay
Carthage or Corinth, take part
In their endless gaiety;
And if in some bar a tart,
As she strokes your hair, should say
"This is Atlantis, dearie,"
Listen with attentiveness
To her life-story: unless
You become acquainted now
With each refuge that tries to
Counterfeit Atlantis, how
Will you recognise the true?

Assuming you beach at last
Near Atlantis, and begin
That terrible trek inland
Through squalid woods and frozen
Thundras where all are soon lost;
If, forsaken then, you stand,
Dismissal everywhere,
Stone and now, silence and air,
O remember the great dead
And honour the fate you are,
Travelling and tormented,
Dialectic and bizarre.

Stagger onward rejoicing;
And even then if, perhaps
Having actually got
To the last col, you collapse
With all Atlantis shining
Below you yet you cannot
Descend, you should still be proud
Even to have been allowed
Just to peep at Atlantis
In a poetic vision:
Give thanks and lie down in peace,
Having seen your salvation.

All the little household gods
Have started crying, but say
Good-bye now, and put to sea.
Farewell, my dear, farewell: may
Hermes, master of the roads,
And the four dwarf Kabiri,
Protect and serve you always;
And may the Ancient of Days
Provide for all you must do
His invisible guidance,
Lifting up, dear, upon you
The light of His countenance.

Foreign Matter—the movie

Toby travels with a woman who pays. He's got it made, except that her nine-year-old daughter is smarter than he is.  Based on the novel:

   

“A very, very funny book"—The West Coast Review of Books 
“Enormously enjoyable”—Kirkus Reviews 
“Fresh and spirited”—Publishers Weekly

Think of:


Toby Tucker gets along as a tour guide, though all he knows how to do is keep the clients amused. 

Proposed cast: Joel Edgerton (Toby)
In Venice he falls for rich bubble-head Marcie but can't afford her style.  "To-bee!  Let's just live on my money!"  Well—it’s awkward but what can one say?  He reclines into the good life.
Marcie Harding, sweet, fresh, blonder than blonde and all heart, is a lonely widow who takes a tour in Venice.    Toby abandons the tour to take her to Rome, and when he runs out of cash is about to abandon her.  He loves her more than he knows.
But for Andrea, things would be perfect.  "The child."  Toby and Marcie are no smarter than anybody else; the child is smarter than anybody else.  She'd have got rid of him long ago but her mommy loves him, so she keeps him around to, how shall I say, play with.  When you’re not looking she rotates her head like Linda Blair.

Proposed cast: John Goodman
Marcie’s father-in-law, billionaire Hazelton Turnbull “Hard Turd” Harding IV, loathes Toby, and loathes giving Marcie her allowance to feed him.  But he loves his little granddaughter, and there lies the control.
When Haze spends Marcie’s money on a painting for the Harding Memorial Museum it looks like Toby's meal ticket is gone.

Proposed cast: Catherine Tate
Johna Nerg is the butch-nightmare artist whose painting Toby accidentally steps in, sits in and sets on fire.  He really doesn't mean it but she thinks, as who does not, that he's trying to destroy it—and gets real mean with him.
 
He has no choice, finally, but to try to steal it.  But until the child takes a hand, nothing works.

Foreign Matter is part of the Toby series: 
Pretentious Pictures presents a summer comedy.