Nifty quotes from Greek Island Murder

He took a big gulp and sprayed it out and yelled, I know man piss from woman piss! and went around trying to start fights with all the men.

People kissed each other without touching, talked without touching. Not like Greeks.
I leaned back on my elbows and watched them, listened to what they said about the paintings.
“It’s the heat. People go blank and minimal in the heat.”
“Art is always minimal.”
“It’s economy. That’s what art is.”
“This isn’t.”
“They’re go-geous,” said Pauline. “I want to buy all of them.” I had an impulse to correct her pronunciation. Why do the English speak English so badly?
“Show off stuff.”
“I don’t dress to attract attention. I dress to reward it.”
“Pintos, polyester, picking up the kids at day care.”
“You and me and the TV.”
“Bon soir,” said a man to the bar girl as she squeezed past.
“Simple human action.”
“You must swim out beyond your depth. No other place to be free.”
“Just in off the hurry circuit.”
“Holds the brush in his fist.”
“Has to come from the heart.”
“I fuckin’ own him.”
“Best Greek food I ever had was in Chicago.”
“No peanut butter here.”
“We have another island to go to.”
“Male writers no longer have anything to say.”
“Lesbos, Goa, Sri Lanka, Thailand, Bali.”
“Doesn’t know the difference.”
“Europeans trapped by the past.”
“You have to destroy to create.”
“Flying cockroaches on this island.”
“I always thought, when I finish this painting I’ll have said it, I’ll be free. But no.”
“Something missing in American women.”
“Went through every movement, but he never changed his message. Always direct.”
“Gandhi was wrong. He went to London and they wouldn’t let him into Mayfair’s so he turned against the Empire. So what?”
“India’s the red herring of the twentieth century.”
“Gratuitous, like music.”
“Simple honesty very difficult. Otherwise why write poems?”
“A natural celibate.”
“How intensely civilized of you to agree with me.”
“Jackson Pollock and all that shit.”
“Infallibly comfortable.”

Originally published in softcover as Home from the Party by Ronsdale Press in Vancouver:

“Considering the price and scarcity of potable water on an island suspiciously like Hydra, the discovery of a beautiful teenage corpse floating in a cistern is no laughing matter. But almost everything else is lively and fun in this mystery of political intrigue and sexual abundance in the Argosaronic.”—The Athenian 

“Home from the Party is a slow-fused but explosive thriller set on an imaginary Greek island, presented in all its artsy glamour and glittering corruption….if you like epigrams, knowing insights into failed relationships, evocations of la dolce vita, Hydra-style, this is for you. MacLean…has published a previous novel, Foreign Matter, with Atheneum Press, New York. Although Foreign Matter was very well received, Home from the Party suggests that MacLean would be well-advised to undertake a series of mystery novels, using ‘Captain Costa’ and the Greek setting he evokes here with such skill and obvious joy.”—Edward Winston 

“Featuring his usual comic touches, the book manages to skillfully intertwine a murder, a Greek investigator, showbiz celebrities, drug dealers, artists, gigolos, the CIA and the junta, in a fast-paced, entertaining web of entangled connections.”—Athens Week 

“In Home from the Party MacLean has created a fast-paced, witty novel that pushes the murder mystery in exciting new directions.”—Keith Maillard 

“This is a most entertaining and satirical tale in which black humour and farce are brought together with real acuity.”—Reference West 

“MacLean is able to develop an interesting combination of characters in his novel. Each character is displayed with his/her own unique style and Konstantinou’s adventures are different and very funny.”—Greek News Weekly 

“Home from the Party is a fast-paced murder mystery laced with humor.”—The Athens News 

“The roller-coaster ride begins!”—Greek News Weekly 


You Need Money to Be Rich

Nobody ever met cuter:
She's tough; he's refined.
She's practical; he's cultured.
She's brilliant; he's elegant.
She's serious; he's frivolous.
She's a lawyer; he's a crook.
She never loses; neither does he.
Romeo Balue, a handsome light-hearted retired art thief, has his eye on paintings stolen by the Nazis from his friend Ada’s family, now in the hands of the Kremlin. Ada forbids him to steal them. Then again, she can’t afford £10 million to buy them back...
Daring British barrister Francesca Smithson, the darling of the press for her courtroom tactics, is appointed to defend American CFO Hugo Danch at hearings to extradite him for absconding with a fortune from his crashing company F.U.X.

Proposed: Jean Dujardin
But at the hotel there's a mix-up, and when she arrives to meet her new client she's sent to Romeo's suite, and the call-girl he'd asked for is sent to Hugo's.

Proposed: Anna Friel
And, what is it, her spirit of fun? She lets Romeo think she's from room service and plays along. All right, she is a little bored with her fiancĂ©.

Proposed: Steve Pemberton
Soon she's leading a double life—by night Romeo's bird of paradise, by day the defender of a man with a briefcase full of bearer bonds. 

Proposed: Tim Robbins
Watching Hugo on TV, Romeo spots a pin number written on his palm, and investigates his hotel-room safe. To avoid arrest Hugo allows Francesca to take charge of the bonds.

Proposed: Anamaria Marinca
Ada's paintings are to be shipped back to Moscow after their show in London, and Romeo takes them in hand, scoops the bonds and disappears—
leaving Francesca on the hook with some murderous people. Who's been conning who?
And the game heats up.
Set in London—
—and Como.
         
Pretentious Pictures Presents
A Movie about Stealing with Style:

You Need Money to Be Rich


Robert MacLean is a bad poet and an independent filmmaker. His The Light Touch is on Amazon PrimeTubi and Scanbox, and his 7-minute comedy is an out-loud laugh. He is also a novelist, a playwright, a blogger, a YouTuber, a film reviewer, a literary critic, and a stand-up comic poet. Born Toronto, PhD McGill, taught at Canadian universities, too cold, live Greece, Irish citizen. No brains, but an intellectual snob.

I was beastly but never coarse. A high-class sort of heel.

The Light Touch on Amazon Prime

Film reviews

The Natural Wish to Be Robert MacLean

CHOCOLATE AND CHAMPAGNE, A Comedy with a Dark Center

Reg’d © Library of Congress
A Beverly Hills woman wakes up middle-aged and finds her life with a younger man undignified.

The stage version was performed in New York at the Creative Place Theatre.  Think of...

...only this is her movie, and she gets the younger guy.

Diana, a woman of a certain age, deals with a birthday by throwing out her younger live-in Jim.

They're right for each other, and she regrets it immediately, but she can't take him back: her daughter Jackie, who idolizes and competes with her, tells her Jim has seduced her, and Diana believes it.

So she makes do with the respectable but empty new life she'd thought she needed—with older lawyer Griff.

Jim gives a driving lesson to frantic neurotic Betsy, who almost shoots them off a cliff.  He calms her down and she takes him home. But he can't forget Diana.

Proposed cast: Meg Ryan (Diana)
DIANA, the Hamlet at the heart of this comedy, is a clothes designer with a boutique on Rodeo Drive, a house in Beverly Hills, and a younger lover, Jim, her kept man for two years now. There’s nothing she can’t handle—except getting older.


Proposed cast: Jack Davenport (Jim)

JIM is happy with a champagne-and-sports-car life, but he’s also a talented script-writer who’s postponing seriousness into a future that never comes.  Together they’re fast company.  They must have been brilliant at her birthday party last night.

This morning, though, even while he’s making love to her, she’s spooked.  She tells him he has to go.  She wants something more presentable, more—respectable—before it’s too late.

Which shocks him.  He takes life as it comes, but this is a bit violent.


Proposed cast: Kathy Bates (Betsy)
 
BETSY, the suicidal widow of a husband she drove to suicide, is too scattered to pass a driving test, takes a lesson with Jim, spins the car onto a Mulholland Drive cliff and is ready to gun it and take him with her.


Proposed cast: John Goodman (Griff)
 
Diana's lawyer GRIFF, more her age and on her success level, has been in love with her for years.  Now’s his chance.  When Jackie tells Diana the lie that Jim has seduced her Diana gives up on Jim and tries to make a go of it with Griff.


Proposed cast: Adelaide Clemens (Jackie)
 
JACKIE, Diana’s daughter, idolizes her and so misses no chance to pick at and defy her.  Inwardly shaky, she is outwardly impish and sexy.  She thinks she’s in love with Jim; in fact what she needs is a father.


Proposed cast: Jack Roth (Dylan)
 
Betsy's son DYLAN—eccentric hair, psychotic eyes, twitches constantly and rhythmically as if keeping time to music he doesn’t much enjoy—is in the same class at UCLA with Jackie, over whom he moans uncontrollably.  He disgusts her.


Proposed cast: Rosie Perez (Maria)
 
MARIA, Diana's housekeeper, is the deadpan foil to Diana's Hamlet, secret ally to Jim, and the one person Diana doesn't dare defy.


Proposed cast: Stockard Channing (Gwen)
GWEN is Diana's mischievous best friend and alter-ego.  She'll take Jim if Diana doesn't want him!  Just kidding.  In an attempt to bring them back together she throws a party and invites both of them, but it turns into a confrontation....


And the final character is Beverly Hills—
 
—the tone, the climate, the village size and ambiance that make it inevitable for these people to collide.

The stage version of Chocolate and Champagne was produced by Love Creek  at the Creative Place Theatre in New York.

Pretentious Pictures presents a comedy with a dark center.

Reg’d © Library of Congress