They're right for each other, and she regrets it immediately, but she can't take him back: her daughter Jackie, who idolizes and competes with her, tells her Jim has seduced her, and Diana believes it.
Proposed cast: Tilda Swinton (Diana)
Proposed cast: Gael García Bernal (Jim)
This morning, though, even while he’s making love to her, she’s spooked. She tells him he has to go. She wants something more presentable, more—respectable—before it’s too late.
Which shocks him. He takes life as it comes, but this is a bit violent.
Proposed cast: Kathy Bates (Betsy)
BETSY, the suicidal widow of a husband she drove to suicide, is too scattered to pass a driving test, takes a lesson with Jim, spins the car onto a Mulholland Drive cliff and is ready to gun it and take him with her.
Proposed cast: John Goodman (Griff)
Diana's lawyer GRIFF, more her age and on her success level, has been in love with her for years. Now’s his chance. When Jackie tells Diana the lie that Jim has seduced her Diana gives up on Jim and tries to make a go of it with Griff.
Proposed cast: Adelaide Clemens (Jackie)
JACKIE, Diana’s daughter, idolizes her and so misses no chance to pick at and defy her. Inwardly shaky, she is outwardly impish and sexy. She thinks she’s in love with Jim; in fact what she needs is a father.
Proposed cast: Jack Roth (Dylan)
Betsy's son DYLAN—eccentric hair, psychotic eyes, twitches constantly and rhythmically as if keeping time to music he doesn’t much enjoy—is in the same class at UCLA with Jackie, over whom he moans uncontrollably. He disgusts her.
Proposed cast: Rosie Perez (Maria)
MARIA, Diana's housekeeper, is the deadpan foil to Diana's Hamlet, secret ally to Jim, and the one person Diana doesn't dare defy.
Proposed cast: Stockard Channing (Gwen)
GWEN is Diana's mischievous best friend and alter-ego. She'll take Jim if Diana doesn't want him! Just kidding. In an attempt to bring them back together she throws a party and invites both of them, but it turns into a confrontation....
And the final character is Beverly Hills—
—the tone, the climate, the village size and ambiance that make it inevitable for these people to collide.